CV

BIO

Matthew Bradley's sculptural and performative works explore the eternal tension that exists between the individuals perception of the real and the real itself. He employs processes that are akin to those of the archaeologist and the engineer to ‘perform’ the production of artefacts. Bradley’s notion of the artefact is expanded to include objects from the past, present and the future; human and non human ;material and immaterial. For Bradley, artefacts are cosmogonic models that evidence the way things see themselves in relation to the universe, to being and to the real itself.

b. 1969 Adelaide
Lives and works in Adelaide




Selected Solo Exhibitions

2016
A Forest of Lightning, Australian Experimental Art Foundation, Adelaide
Destroyer of Worlds, GAGPROJECTS | Greenaway Art Gallery, Adelaide

2012
Space chickens help me make Apple Pie, Fontanelle Gallery, Adelaide

2011
New vehicles and exploration, Greenaway Art Gallery, Adelaide

2010
Axle Mace, Contemporary Art Centre of South Australia, Adelaide

2008
Terminator, Greenaway Art Gallery, Adelaide

2007
Storm Machine, Gertrude Contemporary Art Space, Melbourne

2006
The Good Son, Canberra Contemporary Art Space, Canberra

2005
The Weet Bix Kid, Australian Experimental Art Foundation, Adelaide
Empire, Screening Room, Institute of Modern Art, Brisbane

2004
Dark Crystal, The Project Space, Contemporary Art Centre of South Australia
Empire, Downtown Art space, Adelaide

2003
Helicopter Drawing, Artspace, Adelaide festival centre

1999
The Nola Rose Candidate, Gold Card: South Australian Emerging Artists
Project, Australian Experimental Art Foundation, Adelaide




Selected Group Exhibitions

2018
Directors Cut, FELTspace, Adelaide,

2017
The National 2017: New Australian Art, Museum of Contemporary Art, Sydney
Born Under Punches, Format, Adelaide
Spring 1883, Establishment Hotel, Sydney (GAGPROJECTS)

2016
Dug and Digging With, Australian Experimental Art Foundation, Adelaide

2015
Climate Century, Vitalstatistix and Maritime Museum, Port Adelaide
Gratis, Plimsoll Gallery, Hobart
Spring 1883, Establishment Hotel, Sydney (GAGPROJECTS)
CACSA Contemporary 2015, SASA Gallery, Adelaide

2014
How does your garden grow?, Murray Bridge Regional Art Gallery, Murray Bridge

2013
Pigeon Auction, Casula Powerhouse, Sydney
Arte Magra, Australian Experimental Art Foundation, Adelaide
FELTNatural: FELTspace River Torrens Public Art Project, Adelaide
Momentary, Adelade Film Festival, Contemporary Art Centre of South Australia

2012
End of the World, Fontanelle Gallery, Adelaide
Good Mourning, FELTspace, Adelaide
This is what I do, CAST gallery, Tasmania
This is what I do, Metro Arts, Brisbane

2011
Labour of Love, Revisited - The Rise of Amateurism in the Age of Digital Networks, Arko Art Centre, Korea
Nothing like performance, Artspace, Sydney

2010
Adelaide Biennial of Australian Art: Before and After Science, Art Gallery of SA.
Az Zabán-i-Mádari (From the Mother Tongue): In my spare times I fall in love, but, there is no one
to catch me
, Seedling Art Space, Blackwood, South Australia

2008
Contemporary Australia: Optimism, QLD Art Gallery/Gallery of Modern Art, Brisbane
Matthew Bradley, Michelle Nikou, Sally Smart, GAGPROJECTS, Berlin
The Flipside, The Substation, Singapore
Underbelly, Ryan Renshaw gallery, Brisbane
World One Minute, Today Art Museum, Beijing
Uneasy: Recent South Australian Art, Anne & Gordon Samstag Museum of Art, Adelaide

2007
Bad Brains, A Little Blah Blah, Ho Chi Minh City, Vietnam
Mentor Mentored 3, Contemporary Art Centre of South Australia
The heavier we get, RAW space, Brisbane
Late Nights, Greenaway Art Gallery, Adelaide
As it is - as it can be, Bus gallery, Melbourne
Taking the cure, Downtown Art space, Adelaide
Things will be great, MOP Gallery, Sydney

2006
New Australian Video Art, Museums Quartier, Vienna
Snapshot: Contemporary South Australian Art, Experimental Art Foundation, Adelaide;
Touring regional South Australia in 2007, in association with Country Arts SA

2005
Risk, Kings ARI, Melbourne
New painting heroes, Downtown Art space, Adelaide
Project for a revolution, Westspace, Melbourne

2004
A wing and a prayer, Mildura Arts Centre, Victoria
Container project, Melbourne ARI festival, Federation Square, Melbourne

2003
Z, Roslyn Oxley9, Sydney

2002
Die Cast, High Street Projects, Christchurch, New Zealand
Fantasia, 220 Hindley, (UNISA Project space), Adelaide

2001
Other Worlds, Contemporary Art Centre of SA, Adelaide
Forming flight, 220 Hindley, (UNISA Project space), Adelaide

1999
Primavera, Museum of Contemporary Art, Sydney

Selected bibliography

Bolton, K., 'Interstellar Pie', FORM GUIDE, pp. 11-13, Nov 2012
Darlaston, K. 'Poetry in the dark' Eyeline, no. 73, 2011
Blair, U., 'Seeing in the dark', Before and after science: 2010 Adelaide Biennial of Australian Art, Pub. Art Gallery of South Australia, 2010
Chambers, N., 'Monster Bike', Contemporary Australia: Optimism, pub. Queensland Art Gallery, 2008
Walker, W., 'Uneasy on the eye', The Australian, July 3 2008
Morrell, T., Uneasy : Recent South Australian Art, pub. Samstag Museum of Art, Adelaide, June 2008
Bolton, K., ‘Mentor Mentored 3’, exhibition catalogue, pub. CACSA, July 2007
Khan J., ‘Storm Machine’, exhibition catalogue, pub. Gertrude Contemporary Art Space, June 2007
Chapman, C., ‘Snapshot: Contemporary South Australian Art in Adelaide’, Art Monthly, Issue 194, Oct 2006 Bolton, K.. ‘Adelaide, Recent Art Recent History’, Broadsheet, vol.34 no.4, 2005
Woodburn, J., ‘Great Escape’, RealTime, no.61, 2004
Chambers, N., Z, Eyeline, no.51, 2003
Radok, S., ‘Avenge my death’, Adelaide Review, May 2002
Chapman, C., ‘Frequent Flyers’, Eyeline, no.46, 2001